In my view, stories and novels consist of three parts: narration, which moves the story from point A to point B and finally to point Z; description, which creates a sensory reality for the reader; and dialogue, which brings characters to life through their speech.
You may wonder where plot is in all this. The answer — my answer, anyway — is nowhere. I won’t try to convince you that I’ve never plotted any more than I’d try to convince you that I’ve never told a lie, but I do both as infrequently as possible. I distrust plot for two reasons: first, because our lives are largely plotless, even when you add in all our reasonable precautions and careful planning; and second, because I believe plotting and the spontaneity of real creation aren’t compatible. It’s best that I be as clear about this as I can — I want you to understand that my basic belief about the making of stories is that they pretty much make themselves. The job of the writer is to give them a place to grow (and to transcribe them, of course).
–Stephen King, On Writing
I’ve been reading On Writing for the second time, and it’s been refreshing to hear a defense for unplanned, unplotted stories. King talks about writing stories as uncovering fosiles. The story is already there you just need to materialize it.
It made me think of the relationship between outlining and the conscious brain.
- Conscious writing → non fiction
- Writing from the subconscious → fiction
Seems like the advice from King is simply: Never plot.